The world's most curious man contemplates writing, branding and travelling with an insane degree of nuance.

jeremy@jeremyhildreth.com

The chosen brand

As a nation brand, “Israel” is undeniably strong in some areas — technology, security, agriculture — yet marketing products as Israeli, and daring to pitch their Israeli-ness as a virtue, can be problematic.

Many Israeli companies, when competing internationally, are even a little shy about their place of origin. Which is why I was pleased to see the British supermarket Waitrose making as big a deal of the Israeli couscous in this TV dinner as it makes of Greek olives, Irish oats or Scottish salmon in other offerings.

Israeli couscous

And at Borough Market in London, I have recently seen “He’brew: The Chosen Beer” on sale in four flavours: Genesis Ale, Messiah Bold, Pomegranate Ale and Jewbelation Twelve (celebrating the brewer’s 12th anniversary).

TheChosenBeer

Now, I know — because they invited me to Jerusalem to talk to them when I was head of place branding at Saffron — that the honchos at the Israeli Ministry of Foreign Affairs are very interested in promoting Israel in every benign way possible in order to round out the country’s reputation, the hardest edges of which are the ones most frequently seen and noted.

If I were the PR/image guys in the Israeli Foreign Ministry, I’d call up Waitrose and this beer company, and other non-Israeli companies that market either Israeli provenance or plain Jewishness, and pump them with questions about their thought processes and post-launch experiences. I bet they have useful insights.

Oddly, it’s common for companies to feel that choosing to put MADE IN ________ , in the case of a lot of countries less controversial than Israel, is an act of bravery. At Saffron, we had to push an Indian tyre company, for example, to emphasize its tyres provenance rather than downplay it (hey, if these vulcanized babies are good enough for the worst roads on earth, we argued, certainly they’re good enough for your [German, French, British, and so on] roads!), and I remember we undertook similar acts of persuasion in Turkey, Romania and the Basque Country, too.

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New destination

The WhereBrands place branding blog is the new soapbox for my strong opinions and invaluable wisdom about place-related marketing.

You’ve found me!

Not always easy. As an international brand copywriter, Wall Street Journal arts page contributor and near-nomad, the road is my home.

The constant stimulation of an ever-changing confluence of people, place and moment has shown itself to be the ideal salve for my painful curiosity about this astounding phenomenon we call human conscious life.

So I travel.

Meanwhile, I tell my stories and I help others tell theirs, doing my bit make the world safe for good writing and good marketing. I've had an eventful career so far (read the full "about me" stuff here; for better or worse, it's almost all true).

At present, I am creative director of WhereBrands, a company I founded to coach cities, countries and companies on how to make the most of [a] place. WhereBrands' site is devoted wholly to place-related marketing, branding and communications, as is the WhereBrands place branding blog.

The rest of my brilliant insights about marketing, writing and travelling you'll find right here (along with the lousy ones). I encourage you to leave comments, or, if you feel yourself a kindred spirit, drop me a line; I'm always glad to hear from clever, exotic people like you.

Speaking on YouTube

Speaking on YouTube

A string of funny and insightful anecdotes about the way countries regard (or loathe) themselves, and how that affects outsiders' perceptions (clip: 2 mins).

In the news: Branding the hard way

In the news: Branding the hard way

Jeremy tells CNN/Fortune that Estonia getting the Euro is an 'unfakeable' positive signal for the country. "It's something that they've earned from scratch."

In the news: Jeremy’s new book is out

In the news: My new book is out

Brand America (2nd edition): the making, unmaking and remaking of the greatest national image of all time. Co-authored with Simon Anholt.

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