The world's most curious man contemplates writing, branding and travelling with an insane degree of nuance.

jeremy@jeremyhildreth.com

My take on the Danish mother seeking

If you haven’t seen this (apparently more than a million people have seen it), watch it before reading further. (YouTube pulled the video after a few days, so this link takes you to the Huffington Post’s archive of the video.)

Danish mum

It’s a hoax. ‘Karen’ is an actress named Ditte Arnth Jorgensen. It was perpetrated by Visit Denmark as a way of positioning the country. VisitDenmark CEO Dorte Kiilerich defended the controversial viral ad in the Danish newspaper Politiken:

Karen’s story shows that Denmark is a broad-minded country where you can do what you want. The film is a good example of independent, dignified, Danish women who dare to make their own choices…We tell a good and sweet story about a mature, responsible woman who lives in a free society and shoulders the responsibility of her actions. And she uses a modern social medium.

Most commentators either are agreeing with Ms Kiilerich, saying, yes, it’s a helpful portrayal of Denmark, or disagreeing with her, saying that’s the wrong story to be telling about Denmark.

I say both sides are wrong.

They’re wrong because they’re looking at the content of the message. They should be looking at the fact of the message.

Anthropologists (and economists) use a concept called honest signals. (It’s a wonderful concept; I’ll surely write more about it another time; read a primer here). And the honest signal that’s being sent here is that a public body in Denmark had the mindset and the moxy (that’s an Americanism for wherewithal, for testicular fortitude) to dream up, script, approve the script for, produce, and launch this particular ad.

And that, frankly, that honest signal, says a lot about Denmark. It says Denmark is not like other places. It says Denmark thinks differently. It says Denmark is not Russia, Egypt, America, Ireland, Mexico, Malaysia or countless other countries whose tourism departments definitely would NOT have created that ad.

That, I believe, is the real message of the Danish mother seeking.

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The WhereBrands place branding blog is the new soapbox for my strong opinions and invaluable wisdom about place-related marketing.

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Not always easy. As an international brand copywriter, Wall Street Journal arts page contributor and near-nomad, the road is my home.

The constant stimulation of an ever-changing confluence of people, place and moment has shown itself to be the ideal salve for my painful curiosity about this astounding phenomenon we call human conscious life.

So I travel.

Meanwhile, I tell my stories and I help others tell theirs, doing my bit make the world safe for good writing and good marketing. I've had an eventful career so far (read the full "about me" stuff here; for better or worse, it's almost all true).

At present, I am creative director of WhereBrands, a company I founded to coach cities, countries and companies on how to make the most of [a] place. WhereBrands' site is devoted wholly to place-related marketing, branding and communications, as is the WhereBrands place branding blog.

The rest of my brilliant insights about marketing, writing and travelling you'll find right here (along with the lousy ones). I encourage you to leave comments, or, if you feel yourself a kindred spirit, drop me a line; I'm always glad to hear from clever, exotic people like you.

Speaking on YouTube

Speaking on YouTube

A string of funny and insightful anecdotes about the way countries regard (or loathe) themselves, and how that affects outsiders' perceptions (clip: 2 mins).

In the news: Branding the hard way

In the news: Branding the hard way

Jeremy tells CNN/Fortune that Estonia getting the Euro is an 'unfakeable' positive signal for the country. "It's something that they've earned from scratch."

In the news: Jeremy’s new book is out

In the news: My new book is out

Brand America (2nd edition): the making, unmaking and remaking of the greatest national image of all time. Co-authored with Simon Anholt.

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